I’ve walked to both stadiums more times than I can count. Sometimes on match days to the Emirates, sometimes just passing through the old Highbury stadium with a sketchbook in my bag. What always strikes me is how different the experience feels before you even step inside.
The walk to the Highbury stadium feels quiet, almost hidden. You turn a corner from a residential street and suddenly you’re face-to-face with something that doesn’t quite belong to the everyday rhythm of the city.
On the other hand, the approach to the Emirates Stadium is opposite! You see it from a distance. It announces itself early... all curve, scale, and movement. Both belong to Arsenal F.C. but architecturally, they feel like two completely different worlds.
Arsenal Highbury Stadium. Quiet Details and Human Scale.
The first time I properly stopped at Highbury, I wasn’t even thinking about football. I was looking at the façade.
The East Stand has this stillness to it. The symmetry, the vertical lines, the Art Deco detailing... it feels deliberate in a way most stadiums don’t. I remember standing across the street trying to sketch it quickly, but getting caught up in the small details instead. The lettering, the proportions, the way the entrance frames the space.
There’s something about the scale that makes it approachable. You don’t feel dwarfed by it. It sits within the street, almost politely. Even now, with the stadium converted into housing, that façade still holds its presence. It feels like a memory that hasn’t fully moved on.
The Emirates Stadium. Movement, Curve, and Scale.
The Emirates feels completely different before you even get close. You don’t arrive at it, you approach it.
Walking up from Holloway Road, the structure slowly reveals itself. First the upper edges, then the curve, then the full bowl. I remember taking photos the first time I circled it properly...not of the whole building, but of sections. The steel supports, the repeating patterns, the way light hits the surface differently depending on where you stand.
It’s a building that changes as you move around it. Where Highbury is about composition, the Emirates is about flow. Even sketching it feels different. At Highbury, you focus on symmetry. At the Emirates, you’re trying to capture motion and scale, which is much harder to pin down on paper.
Two Stadiums, Two Atmospheres
What surprised me most wasn’t just how they look, it’s how they feel. At Highbury, everything happens close together. The streets, the entrances, the structure. It all builds a sense of compression. Even without a crowd, you can imagine the intensity. At the Emirates, everything expands. The open spaces, the wide walkways, the scale creates distance as much as it creates presence.
I once walked around the Emirates early in the morning when it was completely empty. No fans, no movement — just the structure. It felt less like a stadium and more like a piece of infrastructure. Something designed to handle scale, rather than intimacy.
Sketching the Contrast.
When I started turning these spaces into prints, the differences became even clearer.
Highbury naturally lends itself to symmetry, framing and detail. You can almost centre it and let the architecture do the work.
The Emirates is harder. You have to choose a moment- a curve, a shadow, a repeating structure. It’s less about capturing the whole building and more about capturing how it feels to move around it. That contrast is what makes them so compelling to draw and why they work so well as a pair.
Over time, I’ve come to see them less as “old vs new” and more as two different ways architecture responds to culture.
Highbury reflects a slower, more embedded relationship with the city whereas the Emirates reflects scale, efficiency, and modern expectation
Neither replaces the other. They just exist at different points in the same story.
Explore Prints and more
If you’re drawn to these buildings in the same way, I’ve created a set of Arsenal Stadium Art Prints that capture both Highbury and the Emirates. They’re designed to reflect the contrast between the two from Art Deco detail to modern structure, and to work as a series.
